Friday, December 2, 2011

Presentation (Handout, Outline of lecture)



Amanda O’Donnell
Kate Chopin, The Awakening

I first read Chopin’s The Awakening in my women writers’ class. I thought Chopin’s ability to depict relatable internal conflict was impressive. Having studied it since, I began to realize as many times as it is referred to as a feminist work, responsible even for having in someway spearheaded the feminist movement, it is referred to as the opposite: a work of an author with a distinct lack of interest in feminism. Should The Awakening be approached as a feminist work? What does it matter? I attempted to classify it based on evidence found within the novel.

Biography:
  • ·      Born in 1850
  • ·      Raised by strong, independent females
  • ·      First published in early 1890’s


Summary:
  • ·      Protagonist Edna Pontellier
  • ·      Unsatisfied with society’s designated role, to act solely as mother and wife
  • ·      Incapable of filling personal desires, sexual and emotional
  • ·      Is eventually overtaken by the conflict of her realizations and defiance, and established norms
  • ·      Swims out to sea in an act that is assumed suicidal


Background:
  • ·      Published in 1899
  • ·      Turn of the century, emergence of feminist ideals
  • ·      Criticized for subject matter, praised for style and ability


Feminism or… :
  • ·      Ultimately a depiction
  • ·      Despite what it is labeled it reads the same
  • ·      Edna’s suicide as a hope for change
  • ·      Chopin’s decision to publish





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